American narrators, whose stories were moving away from the molds of magical realism.to give rise to scenarios in which cosmopolitanism, the practice of ways of life largely defin by pop culture and viscerally assum by the youth of this part of the world, as well as new forms of communication miat by the phenomenon of technology digital, were intertwin with generous doses of postmodern individualism, impudence, crudeness, disenchantment and the exaltation of a feverish – Changing the Use and often self-destructive – pace of life, all characteristics that were marking a trend within the
Mind Is the Key Idea
Latin American literary panorama that it could already claim for itself. the recognizable “postboom” label. mundo Paz Soldán, one of the authors consider in that anthology, six years later would co-it, along with Fuguet, another book that point in the same path as McOndo . It was titl Se Habla Español and through its pages the production of Latin American b2b leads writers who told stories from the perspective of the Latin immigrant link in some way to North American culture and his life context was made known. Born in Bolivia, in 1967, in the city of Cochabamba,
Human Beings Learn to
Paz Soldán began publishing just after he was twenty years old. In 1990, he publish The Masks of Nothing , a set of stories that receiv mix reviews in his country. Two years later, his first novel Días de papel would be publish . In 1997, he won the Juan Rulfo Prize for his story “Dochera”, later publish in Amores imperfectos . With the Peruvian writer Gustavo Faverón, in 2008, Paz Soldán would it Bolaño Savage , a set Europe Email of studies on the work of the great Roberto Bolaño, and an essential text to approach the narrative of this brilliant Chilean writer, Changing the Use who di at the height of his literary production and author of fundamental books such as Wild Detectives ,
